‘Grace Jones: Bloodlight and Bami’ is an Evocative Portrait of The Queen of Gay Discos

When Grace Jones: Bloodlight and Bami was introduced at the Toronto International Film Festival this year, we were reminded that Sophie Fiennes is anything but a conventional filmmaker. Anyone who’s witnessed The Pervert’s Guide to Cinema or its equally bonkers follow-up, The Pervert’s Guide to Ideology, can attest to this. When you hear “a documentary …